IX.5.16 Pompeii. Popina/Lupanare.
Rooms a’ to f’ on plan. Linked to IX.5.14 and IX.5.15.
Part 1 Part 2 Part 3 Part 4 Part 5
IX.5.14-16 combined room plan For rooms a to u see IX.5.14. For room h see IX.5.15
Room f’,
cubiculum (continued)
IX.5.16 Pompeii. March 2018. Cubiculum f’, looking towards west
wall and north-west corner.
Foto Taylor Lauritsen, ERC Grant 681269 DÉCOR.
IX.5.16 Pompeii. January 2017. Cubiculum f’, north-west corner.
Foto Annette Haug, ERC Grant 681269 DÉCOR
IX.5.16 Pompeii. May 2019. Cubiculum f’, looking towards
north wall.
Foto Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.16
Pompeii. May 2019. Room f’, detail of north wall with erotic wall paintings.
Foto Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.16 Pompeii. May 2005. Cubiculum f’, wall paintings from north wall.
Cubiculum f’, detail of wall painting at west end of north wall. Photo courtesy of Buzz Ferebee.
IX.5.16 Pompeii. May 2019. Room f’, detail from above painting at
west end of north wall.
Foto Christian Beck, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. May 2019. Room f’, detail of erotic painting at
west end of north wall.
Foto Christian Beck, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. May 2019. Room f’, painted
candelabra from central panel on north wall.
Foto Christian Beck, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. May 2019. Room f’, detail
of painted eagle on top of candelabra in centre of north wall.
Foto Christian Beck, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. May 2019. Room f’, detail
of top of candelabra on north wall.
Foto Christian Beck, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. May 2019. Room f’, detail
of base of candelabra in centre of north wall.
Foto Christian Beck, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. March 2018. Cubiculum f’, wall painting at
east end of north wall
Foto Taylor Lauritsen, ERC Grant 681269
DÉCOR.
IX.5.16 Pompeii. June 2019.
Cubiculum f’, detail of wall painting at east end of north wall. Photo courtesy of Buzz Ferebee.
Cubiculum f’,
detail of wall painting at east end of north wall.
Foto
Taylor Lauritsen, ERC Grant 681269 DÉCOR.
IX.5.16
Pompeii. May 2019.
Room
f’, detail from above painting at east end of north wall.
Foto
Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.16
Pompeii. May 2019. Room f’, detail from erotic painting at east end of north
wall.
Foto
Christian Beck, ERC Grant 681269 DÉCOR.
IX.5.16
Pompeii. May 2019.
Room f’, north end of east wall, with blocked window to atrium a’.
Foto
Christian Beck, ERC Grant 681269 DÉCOR.
Cubiculum f’, east wall in north-east corner, with blocked window to atrium a’.
IX.5.16 Pompeii. May 2019. Cubiculum f’, top of painted candelabra on east wall.
IX.5.16 Pompeii. May 2019. Cubiculum f’, base of painted candelabra on east wall.
IX.5.16
Pompeii. May 2019. Room f’, looking east through doorway into atrium a’.
Foto
Christian Beck, ERC Grant 681269 DÉCOR.
Cork model
Cork model on display on Naples Archaeological Museum. July 2017.
Looking north from Gladiators Barracks and Theatres at VIII.7 on Via Stabiana, lower right.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
This model in the Naples Archaeological Museum, made of wood, cork and paper, by Felice Padiglione, is scaled at 1/100, and shows the excavations up until the end of 1879.
Many models of the city were produced, including one on display in an exhibition in VIII.2.14/16 in 2018.
That model featured the houses on the western side of VIII.2, that is VIII.2.1/3 the Houses of Championnet, VIII.2.14/16, VIII.2.17/21 the Sarno Baths, and the next few properties on the southern slope.
According to the Archaeological Park of Pompeii display notice in VIII.2.14/16 -
“The cork model was begun in 1865 by Giovanni Padiglione, one of several models predating the great model of the entire city now in Naples Archaeological Museum.
It was created over the course of several stages, following the advance of archaeological discoveries, as demonstrated by the Courtyard of the Moray Eels, excavated at the end of the nineteenth century, and the lower floors of the houses which were investigated in the 1930’s.
In addition, the wall and floor decorations, painted on paper, do not correspond with those that were originally present; most probably it was decided to substitute them with those of a more profound impact from other houses, for educational purposes.”
IX.5, Pompeii. July 2017. Looking west across insula, with Central Baths, at top, Via di Nola, on right, Vicolo del Centenario, lower.
IX.5.16 can be seen in the lower left, linked to IX.5.14.
Extract from cork model in Naples
Archaeological Museum.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
IX.5, Pompeii. July 2017. Overview of insula.
Extract from cork model in Naples
Archaeological Museum.
Foto Annette Haug, ERC Grant 681269 DÉCOR.
IX.5.14-16 Pompeii. July 2017. Rooms in south-east corner of insula, lower centre, IX.5.16 linked to IX.5.14.
Extract
from cork model in Naples Archaeological Museum.
Foto
Annette Haug, ERC Grant 681269 DÉCOR.
IX.5.14-16 Pompeii. Details of rooms in south-east corner of insula, looking west.
In IX.5.16, the rooms seen here with the painted walls are room f’, cubiculum on west side of atrium, and triclinium d’, on east side of atrium.
Extract
from cork model in Naples Archaeological Museum.
Foto Annette Haug, ERC Grant 681269 DÉCOR
Part 1 Part 2 Part 3 Part 4 Part 5
IX.5.14-16 combined room plan For rooms a to u see IX.5.14. For room h see IX.5.15