PompeiiinPictures

VII.15.2 Pompeii. Casa del Marinaio or Casa di Niobe or Casa del Gallo.

Linked to VII.15.1 and VII.15.16. Excavated c.1859 and 1871.

 

Part 2      Part 3      Part 4      Part 5      Part 6      Part 7      Part 1

 

VII.15.2 Pompeii. May 2018. Doorways to rooms on west side of atrium. 
On the extreme left are two doorways connecting to the atrium of VII.15.1, and on the right is a doorway to a cubiculum. 
Seen on the pilaster, to the left, would have been “Summer”.
On the centre pilaster, but now completely devoid of plaster, would have been “Autumn”.
Photo courtesy of Buzz Ferebee. 
According to PPM - 
“Already in the excavation reports it was stated that one of the figures of the Seasons was completely destroyed, in particular “Autumn” was missing, which would have to have been found on the north side of the west wall between the doorways to the secondary atrium and the cubiculum.”
See Carratelli, G. P., 1990-2003. Pompei: Pitture e Mosaici: Vol. VII. Roma: Istituto della enciclopedia italiana, (p.714).

VII.15.2 Pompeii. May 2018. Doorways to rooms on west side of atrium.

On the extreme left are two doorways connecting to the atrium of VII.15.1, and on the right is a doorway to a cubiculum.

Seen on the pilaster, to the left, would have been “Summer”.

On the centre pilaster, but now completely devoid of plaster, would have been “Autumn”.

Photo courtesy of Buzz Ferebee.

According to PPM -

“Already in the excavation reports it was stated that one of the figures of the Seasons was completely destroyed, in particular “Autumn” was missing, which would have to have been found on the north side of the west wall between the doorways to the secondary atrium and the cubiculum.”

See Carratelli, G. P., 1990-2003. Pompei: Pitture e Mosaici: Vol. VII. Roma: Istituto della enciclopedia italiana, (p.714).

 

VII.15.2 Pompeii.  December 2007.  Room on west side of Atrium.

VII.15.2 Pompeii. December 2007. Doorway to bedroom/cubiculum on west side of atrium.

 

VII.15.2 Pompeii. May 2018. Looking west through doorway to cubiculum in north-west corner of atrium.
Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking west through doorway to cubiculum in north-west corner of atrium.

Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. September 2017. Looking west through doorway to cubiculum in north-west corner of atrium.
Photo courtesy of Klaus Heese.

VII.15.2 Pompeii. September 2017. Looking west through doorway to cubiculum in north-west corner of atrium.

Photo courtesy of Klaus Heese.

 

VII.15.2 Pompeii. May 2018. Looking west across flooring. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking west across flooring. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. September 2017. Looking west across mosaic flooring. Photo courtesy of Klaus Heese.

VII.15.2 Pompeii. September 2017. Looking west across mosaic flooring. Photo courtesy of Klaus Heese.  

 

VII.15.2 Pompeii.  December 2007.  Bedroom on west side of Atrium with bed platform.

VII.15.2 Pompeii. December 2007. Bedroom on west side of atrium with bed platform.

 

VII.15.2 Pompeii. September 2005.  Mosaic floor of bedroom on west side of Atrium.

VII.15.2 Pompeii. September 2005. Mosaic floor of bedroom on west side of atrium.

 

VII.15.2 Pompeii. September 2005. Bedroom on west side of atrium with raised bed platform. The front edge is covered with a strip of white veined marble.

VII.15.2 Pompeii. September 2005. Bedroom on west side of atrium with raised bed platform. 

The front edge is covered with a strip of white veined marble.

 

VII.15.2 Pompeii. May 2018. Cubiculum on west side of atrium, detail of mosaic flooring with a pattern of squares and triangles bordered with a garland of ivy.
Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Cubiculum on west side of atrium, detail of mosaic flooring with a pattern of squares and triangles bordered with a garland of ivy.

Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii.  December 2007.  Bedroom on west side of Atrium.   Floor mosaic with a pattern of squares and triangles bordered with a garland of ivy.

VII.15.2 Pompeii. December 2007. Bedroom on west side of atrium.  

Floor mosaic with a pattern of squares and triangles bordered with a garland of ivy.  

 

VII.15.2 Pompeii. c.1930. Mosaic floor from cubiculum/bedroom on west side of atrium.
DAIR 41.675. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.
See Pernice, E.  1938. Pavimente und Figürliche Mosaiken: Die Hellenistische Kunst in Pompeji, Band VI. Berlin: de Gruyter, (described as cubiculum “k”, see tav. 27.4, above.)

VII.15.2 Pompeii. c.1930. Mosaic floor from cubiculum/bedroom on west side of atrium.

DAIR 41.675. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

See Pernice, E.  1938. Pavimente und Figürliche Mosaiken: Die Hellenistische Kunst in Pompeji, Band VI. Berlin: de Gruyter, (described as cubiculum “k”, see tav. 27.4.)

 

VII.15.2 Pompeii.  September 2005.  Doorways on west side of Atrium looking south.

VII.15.2 Pompeii. September 2005. Doorways on west side of atrium, looking south.

 

VII.15.2 Pompeii. May 2018.West side of atrium, with doorway to cubiculum, on left, and west ala, in centre. Photo courtesy of Buzz Ferebee. 
VII.15.2 Pompeii. May 2018.West side of atrium, with doorway to cubiculum, on left, and west ala, in centre.
Photo courtesy of Buzz Ferebee. 
According to Sogliano, seen in the west ala –
“A crowned cupid, and with green wings, playing the flute, leaning on a dolphin, throwing him into the sea.” (Evanescent)
(Eros coronato e con ali verde, suonante il flauto, appoggiato ad un delfino, che si precipita nel mare. (Evanescente)
(Bull.Inst, 1872, p.173, Fiorelli, Scavi di Pompei, p.124, no.199; Descr.Pomp, (p.305).
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.62, no.355).
“Robust figure of a God, standing, turn to the left, and, apparently, naked: leaning with the left hand onto a trunk of a bare tree that forks into two branches, and in the right hand has something like a disc or globe, which you can not recognize with confidence.”
(Robusta figura di un Dio in piedi, volta a sinistra, e, a quel che pare, nuda: si appoggia con la sinistra a un tronco di albero sfrondato che si biforca in due rami, e nella destra ha come un disco o globo, che non si puo riconoscere con sicurezza.) (Bull.Inst, 1872, p.173) 
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.127, no.619)
“Traces of female figure on foot, with a branch in her left hand.” 
(Tracce di figura muliebre in piedi con ramo (?) nel braccio sinistra.) 
(Bull.Inst, 1872, p.173)                                                          
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.127, no.620)
According to PPM –
“In the centre of the west wall was located a female figure with a branch in her left hand, while in the north panel was a medallion with blue background”.
See Carratelli, G. P., 1990-2003. Pompei: Pitture e Mosaici: Vol. VII. Roma: Istituto della enciclopedia italiana, (p.730).

VII.15.2 Pompeii. May 2018.West side of atrium, with doorway to cubiculum, on left, and west ala, in centre.

Photo courtesy of Buzz Ferebee.

According to Sogliano, seen in the west ala –

“A crowned cupid, and with green wings, playing the flute, leaning on a dolphin, throwing him into the sea.” (Evanescent)

(Eros coronato e con ali verde, suonante il flauto, appoggiato ad un delfino, che si precipita nel mare. (Evanescente)

(Bull.Inst, 1872, p.173, Fiorelli, Scavi di Pompei, p.124, no.199; Descr.Pomp, (p.305).

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.62, no.355).

“Robust figure of a God, standing, turn to the left, and, apparently, naked: leaning with the left hand onto a trunk of a bare tree that forks into two branches, and in the right hand has something like a disc or globe, which you can not recognize with confidence.”

(Robusta figura di un Dio in piedi, volta a sinistra, e, a quel che pare, nuda: si appoggia con la sinistra a un tronco di albero sfrondato che si biforca in due rami, e nella destra ha come un disco o globo, che non si puo riconoscere con sicurezza.) (Bull.Inst, 1872, p.173)

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.127, no.619)

“Traces of female figure on foot, with a branch in her left hand.”

(Tracce di figura muliebre in piedi con ramo (?) nel braccio sinistra.)

(Bull.Inst, 1872, p.173)                                                         

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.127, no.620)

According to PPM –

“In the centre of the west wall was located a female figure with a branch in her left hand, while in the north panel was a medallion with blue background”.

See Carratelli, G. P., 1990-2003. Pompei: Pitture e Mosaici: Vol. VII. Roma: Istituto della enciclopedia italiana, (p.730).

 

VII.15.2 Pompeii. September 2017. Looking towards west ala. Photo courtesy of Klaus Heese.

VII.15.2 Pompeii. September 2017. Looking towards west ala. Photo courtesy of Klaus Heese.

 

VII.15.2 Pompeii.  December 2007.  Ala on west side of Atrium.

VII.15.2 Pompeii. December 2007. Ala on west side of atrium.

The zoccolo would have been painted red, with panels separated by narrow partitions with a diamond shape.

The middle zone of the walls had a white background.

This west ala was not found in such a good condition, as the east ala had been found.

 

VII.15.2 Pompeii. May 2018. South wall of west ala. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. South wall of west ala. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. West wall in north-west corner of west ala. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. West wall in north-west corner of west ala. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Looking towards north wall of west ala. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking towards north wall of west ala. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Black and white mosaic flooring from south-east corner. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Black and white mosaic flooring from south-east corner. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii.  December 2007.  Solid white floor mosaic with black border in Ala on West side of Atrium.

VII.15.2 Pompeii. December 2007. Solid white floor mosaic with black border in ala on west side of atrium.

 

VII.15.2 Pompeii.  September 2005.  Floor mosaic in Ala on west side of Atrium.

VII.15.2 Pompeii. September 2005. Floor mosaic in ala on west side of atrium.

 

VII.15.2 Pompeii.  December 2007.  Entrance to room on west side of Tablinum.

VII.15.2 Pompeii. December 2007. Looking north to doorway to room on west side of tablinum.

 

VII.15.2 Pompeii. September 2005. Doorway to oecus on west side of tablinum.

VII.15.2 Pompeii. September 2005. Doorway to oecus/triclinium on west side of tablinum.

 

VII.15.2 Pompeii. September 2017. Looking north across room on west side of tablinum. Photo courtesy of Klaus Heese.

VII.15.2 Pompeii. September 2017. Looking north across room on west side of tablinum. Photo courtesy of Klaus Heese.

 

VII.15.2 Pompeii. Drawing by Geremia Discanno, 1872, of painting seen in oecus/triclinium on west side of tablinum.
The painting showed the punishment of Acteon
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini, p.129, no.116.
See Bullettino dell’Instituto di Corrispondenza Archeologica (DAIR), 1872, p.174,
See Fiorelli, Scav.di Pompei, p.113, n.79, and Descrizione Pompei, p.306.
Now in Naples Archaeological Museum. Inventory number ADS 800.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

VII.15.2 Pompeii. Drawing by Geremia Discanno, 1872, of painting seen in oecus/triclinium on west side of tablinum.

The painting showed the punishment of Acteon

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini, p.129, no.116.

See Bullettino dell’Instituto di Corrispondenza Archeologica (DAIR), 1872, p.174,

See Fiorelli, Scav.di Pompei, p.113, n.79, and Descrizione Pompei, p.306.

Now in Naples Archaeological Museum. Inventory number ADS 800.

Photo © ICCD. https://www.catalogo.beniculturali.it/

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

VII.15.2 Pompeii. May 2018. Looking north across room on west side of tablinum. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking north across room on west side of tablinum. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. Drawing by Geremia Discanno, of figure of comic actor, (top left) a painting seen in oecus/triclinium on west side of tablinum.
The other drawings are paintings from the walls of the triclinium on east side of tablinum.
According to Sogliano, the figure was seen on a red background. 
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini, p.133, no.650.
See Bullettino dell’Instituto di Corrispondenza Archeologica (DAIR), 1872, p.239,
See Fiorelli, Scav.di Pompei, p.147, n.420, and Descrizione Pompei, p.306.
Now in Naples Archaeological Museum. Inventory number ADS 787.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

VII.15.2 Pompeii. Drawing by Geremia Discanno, of figure of comic actor, (top left) a painting seen in oecus/triclinium on west side of tablinum.

The other drawings are paintings from the walls of the triclinium on east side of tablinum.

According to Sogliano, the figure was seen on a red background.

“An actor with a mask on his face, long white robe and upside-down pedum in the left hand: he brings his right hand to his mouth in a very characteristic attitude of a man who is speaking. Good execution.”

(Un attore con maschera sul volto, lunga veste bianca e pedum capovolto nella sinistra: egli avvicina la destra alla bocca in atteggiamento assai caratteristica d’un uomo che parla. Esecuzione buona.)

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini, p.133, no.650.

See Bullettino dell’Instituto di Corrispondenza Archeologica (DAIR), 1872, p.239,

See Fiorelli, Scav.di Pompei, p.147, n.420, and Descrizione Pompei, p.306.

Now in Naples Archaeological Museum. Inventory number ADS 787.

Photo © ICCD. https://www.catalogo.beniculturali.it/

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

VII.15.2 Pompeii. December 2007. Oecus on west side of tablinum with remains of white mosaic floor.

VII.15.2 Pompeii. December 2007. Oecus/triclinium on west side of tablinum with remains of white mosaic floor.

 

VII.15.2 Pompeii. May 2018.  Looking through doorway towards west side of south portico overlooking the garden on a slightly lower level.. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking through doorway towards west side of south portico overlooking the garden on a slightly lower level.

Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Looking towards west wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking towards west wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Tablinum, west wall. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Tablinum, west wall. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Looking north from atrium towards tablinum. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking north from atrium towards tablinum. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii.  December 2007.  Tablinum.

VII.15.2 Pompeii. December 2007. Looking north towards tablinum.

 

VII.15.2 Pompeii. September 2005. Looking north across tablinum.

VII.15.2 Pompeii. September 2005. Looking north across tablinum.

 

VII.15.2 Pompeii. May 2018. North end of tablinum, with large step to south portico.
Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. North end of tablinum, with large step to south portico.

Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Looking north-east from tablinum onto south portico, with Vesuvius hidden in the clouds. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking north-east from tablinum onto south portico, with Vesuvius hidden in the clouds.

Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Column supporting the south portico, with remains of white painted stucco. The lower part of the column would have been painted black. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Column supporting the south portico, with remains of white painted stucco.

The lower part of the column would have been painted black. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Looking towards east wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking towards east wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. May 2018. Looking north-west across decorative flooring in tablinum. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Looking north-west across decorative flooring in tablinum. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. September 2017. Looking north-east across mosaic in tablinum. Photo courtesy of Klaus Heese.

VII.15.2 Pompeii. September 2017. Looking north-east across mosaic in tablinum. Photo courtesy of Klaus Heese.

 

VII.15.2 Pompeii.  December 2007.  Mosaic floor in Tablinum.  This was bordered by a pattern of squares and diamonds in black and white.

VII.15.2 Pompeii. December 2007. Mosaic floor in tablinum. 

This was bordered by a pattern of squares and diamonds in black and white.

 

VII.15.2 Pompeii. May 2018. Detail from tablinum flooring. Photo courtesy of Buzz Ferebee.

VII.15.2 Pompeii. May 2018. Detail from tablinum flooring. Photo courtesy of Buzz Ferebee.

 

VII.15.2 Pompeii. December 2007. Detail of mosaic floor in tablinum, showing a Hellenistic rosette with a white ground.

VII.15.2 Pompeii. December 2007. Detail of mosaic floor in tablinum, showing a Hellenistic rosette with a white ground.

 

VII.15.2 Pompeii.  September 2005.  Detail of mosaic floor in Tablinum.

VII.15.2 Pompeii. September 2005. Detail of mosaic floor in tablinum.

 

VII.15.2 Pompeii. c.1930. Detail of mosaic floor in tablinum.
DAIR 41.677. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.
See Pernice, E.  1938. Pavimente und Figürliche Mosaiken: Die Hellenistische Kunst in Pompeji, Band VI. Berlin: de Gruyter, (tav. 27.6, above.)

VII.15.2 Pompeii. c.1930. Detail of mosaic floor in tablinum.

DAIR 41.677. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

See Pernice, E.  1938. Pavimente und Figürliche Mosaiken: Die Hellenistische Kunst in Pompeji, Band VI. Berlin: de Gruyter, (taf. 27.6.)

 

VII.15.2 Pompeii. Photographed in the Antiquarium in 1970. 
From tablinum. Painting of Narcissus and Eros. 
Narcissus wears a crown of ivy and is naked apart from a red cloak. 
Leaning on his left hand he is looking at the very clear image mirrored in the water. 
On his right thigh sits Eros also looking at the image in the water.
According to Sogliano, this was found in pieces and restored.
SAP inventory number 20877.
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini, p.118, no.590.
See Garcia y Garcia, L., 2006. Danni di guerra a Pompei. Rome: L’Erma di Bretschneider, p. 185, fig. 429. 

According to GdS – 16 April 1872 –
Nell’isoletta XV,  e propriamente nella parte interna della seconda casa sul lato settentrionale del vicolo del gallo si era sterrato un dipinto a fresco, caduto sul pavimento del tablino, la cui parete sinistra ora abbattuta ne era anticamente decorata. Dai frammenti diligentemente raccolti e messi insieme risultala figura di Narciso coronato e sedente sopra un masso, che si specchia nel fonte, e sostiene un Amorino sulla gamba dritta, cui era poggiato il venabulo.
(In insula XV, and really in the inner part of the second house on the northern side of the Vicolo del Gallo, a fresco painting had been excavated, fallen down onto the floor of the tablinum, whose left wall was now fallen but once had been decorated. From the fragments diligently collected and put together resulted the figure of Narcissus crowned and seated upon a boulder, which is mirrored in the spring/fountain, and has a Cupid supported by his right leg, against which rested his hunting spear.)
See Giornale degli Scavi, 1872, April, 16,  (p.420)

VII.15.2 Pompeii. Photographed in the Antiquarium in 1970.

From tablinum. Painting of Narcissus and Eros.

Narcissus wears a crown of ivy and is naked apart from a red cloak.

Leaning on his left hand he is looking at the very clear image mirrored in the water.

On his right thigh sits Eros also looking at the image in the water.

According to Sogliano, this was found in pieces and restored.

SAP inventory number 20877.

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini, p.118, no.590.

See Garcia y Garcia, L., 2006. Danni di guerra a Pompei. Rome: L’Erma di Bretschneider, p. 185, fig. 429.

 

According to GdS – 16 April 1872 –

Nell’isoletta XV,  e propriamente nella parte interna della seconda casa sul lato settentrionale del vicolo del gallo si era sterrato un dipinto a fresco, caduto sul pavimento del tablino, la cui parete sinistra ora abbattuta ne era anticamente decorata. Dai frammenti diligentemente raccolti e messi insieme risultala figura di Narciso coronato e sedente sopra un masso, che si specchia nel fonte, e sostiene un Amorino sulla gamba dritta, cui era poggiato il venabulo.

(In insula XV, and really in the inner part of the second house on the northern side of the Vicolo del Gallo, a fresco painting had been excavated, fallen down onto the floor of the tablinum, whose left wall was now fallen but once had been decorated. From the fragments diligently collected and put together resulted the figure of Narcissus crowned and seated upon a boulder, which is mirrored in the spring/fountain, and has a Cupid supported by his right leg, against which rested his hunting spear.)

See Giornale degli Scavi, 1872, April, 16,  (p.420)

 

 

Part 3      Part 4      Part 5      Part 6      Part 7      Part 1 

 

 

 

 

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Ultimo aggiornamento - Last updated: 27-Mar-2021 18:13