VII.4.22 Pompeii. March 2009. Entrance, looking towards east wall of shop-room.
According to CTP – this was called the “Bottega dei frutti secchi” (shop of the dried fruits), this name was given to the street (Strada dei frutti secchi) before it was renamed as Via degli Augustali.
See Van der Poel, H. B., 1983. Corpus Topographicum Pompeianum, Part II. Austin: University of Texas, (p.75).
According to Fiorelli, at the rear of this shop-room was the doorway to the atrium with a beautiful marble impluvium, puteal, and marble pedestal on which perhaps would have been a figure in relief throwing water into the basin below.
To the left of the atrium, and behind shop no. 21, was a cubiculum, opposite the tablinum, the stairs to the upper floor, and nearby to this the triclinium, followed by the kitchen at the rear.
See Pappalardo, U., 2001. La Descrizione di Pompei per Giuseppe Fiorelli (1875). Napoli: Massa Editore. (p.90)
VII.4.22 Pompeii. About 1860. Painting by Teodoro Duclère entitled
Bottega
Alma Tadema exhibition, Naples Archaeological Museum, December 2007.
Painting on loan
from Sorrento, Museo Correale di Terranova.
VII.4.22 Pompeii. About 1860. Painting by Teodoro Duclere entitled Bottega
Now in Museo Correale di Terranova, Sorrento. Inventory number 2839.
Fiorelli
describes it as being in VII.4.23, and says “Sul pilastro che divide questa
dalla susseguente taberna......”.
This translates as “On the pilaster that divides this from the following shop….” This would mean VII.4.23 and VII.4.24.
However, the pilaster above fits the description of the painting, the shape of the remaining plaster and including the painted white line across it.
See Pappalardo, U., 2001. La Descrizione di Pompei per Giuseppe Fiorelli (1875). Napoli: Massa Editore. (p.90).
VII.4.22 Pompeii. About 1860. Detail from painting by
Teodoro Duclère entitled Bottega
This shows a fresco of Venus and Mercury.
VII.4.22 Pompeii. Drawing of fresco of Venus and Mercury.
See Real Museo Borbonico, I, Plate 32.
According to Boyce, this was to be found on the pilaster separating the entrances to the shops at VII.4.23/24.
He describes Venus as being adorned with crown, necklace and bracelets and wearing a red garment bordered in white, and sandals.
In the background between the two figures was a high column, and against a small pilaster at its base leans an ithyphallic figure.
See Boyce G. K., 1937. Corpus of the Lararia of Pompeii. Rome: MAAR 14. (p.111)
VII.4.22 Pompeii. Pre-1827. Drawing of painting of Bacchus holding a Comedy mask.
This was found on the wall of a small room which protrudes opposite the side entrance of the so-called Pantheon.
This may not be the exact location of the finding of the painting, but it must have been somewhere in the local vicinity.
Naples Archaeological Museum, inventory number – not known.
See Real Museo Borbonico Vol. III, 1827, Tav. IV.
See Helbig, W., 1868. Wandgemälde
der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, no. 408 p. 102.
VII.4.22/23 Pompeii. Pre 1827. Drawing of painting of Mars and Venus.
According to Real Museo Borbonico –
“Questo
dipinto per venusta e per grazia sopra ogni altro singolare adornava la stanza
accanto alla porta della casa di un pompeiano, che abitava dirimpetto
l’ingresso laterale dell’edificio volgarmente detto Panteon.”
(“This painting adorned the room next to the door of a Pompeian, who lived opposite the side entrance of a building commonly called the Pantheon.”). [VII.9.19/7/8]
See Real Museo Borbonico Vol. III, 1827, Tav. XXXVI.
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel, no. 327.
(Note: this could have been found in either VII.4.21, 22 or 23).