PompeiiinPictures

V.1.26 Pompeii. Casa di L. Cecilio Giocondo or House of Lucius Caecilius Jucundus.

Domus L. Caecili Iucundi. Excavated 1844 and 1875.

 

Part   1        2        3       4       5        6        7        8        9       Plan

 

V.1.26 Pompeii. May 2015. Room 8, looking towards tablinum from atrium.
Photo courtesy of Buzz Ferebee.

V.1.26 Pompeii. May 2015. Room 8, looking towards tablinum from atrium. Photo courtesy of Buzz Ferebee.

 

V.1.26, Pompeii. May 2018. Room 8, looking towards north wall of tablinum from entrance doorway. 
Photo courtesy of Buzz Ferebee.

V.1.26, Pompeii. May 2018. Room 8, looking towards north wall of tablinum. Photo courtesy of Buzz Ferebee.

 

V.1.26 Pompeii. May 2015. Room 8, north wall of tablinum, from atrium.
Photo courtesy of Buzz Ferebee.

V.1.26 Pompeii. May 2015. Room 8, north wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

 

V.1.26  Pompeii.  March 2009.  Room 8.  North wall of Tablinum.

V.1.26 Pompeii. March 2009. Room 8, north wall of tablinum at west end.

 

V.1.26 Pompeii.  W.322. Room 8, west end of north wall of tablinum. Copy of wall with two paintings of a Satyr and Nymph, and Iphigenia in Tauris.
Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

V.1.26 Pompeii.  W.322. Room 8, west end of north wall of tablinum.

Copy of wall with two paintings of a Satyr and Nymph, and Iphigenia in Tauris.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26 Pompeii. 1877. Room 8, west end of north wall of tablinum. 
Painting of wall with two paintings of a Satyr and Nymph, and Iphigenia in Tauris.
See Presuhn E, 1877. Die pompejanischen Wanddecorationen. Leipzig: Weigel, Taf. V.

V.1.26 Pompeii. 1877. Room 8, west end of north wall of tablinum.

Painting of wall with two paintings of a Satyr and Nymph, and Iphigenia in Tauris.

See Presuhn E, 1877. Die pompejanischen Wanddecorationen. Leipzig: Weigel, Taf. V.

 

V.1.26 Pompeii. Painting of a Satyr embracing a Maenad. Found in tablinum on west end of north wall. Now in Naples Archaeological Museum.  Inventory number: 110590.

V.1.26 Pompeii. Painting of a Satyr embracing a Maenad. Found in tablinum on west end of north wall.

Now in Naples Archaeological Museum. Inventory number: 110590.

 

V.1.26  Pompeii.  March 2009. Room 8.  North wall of Tablinum.

V.1.26 Pompeii. March 2009. Room 8, north wall of tablinum at west end.

 

V.1.26 Pompeii. October 2020.  Room 8, looking towards upper north wall of tablinum at east end. Photo courtesy of Klaus Heese.

V.1.26 Pompeii. October 2020. Room 8, looking towards upper north wall of tablinum at east end. Photo courtesy of Klaus Heese.

 

V.1.26, Pompeii. May 2018. Room 8, detail of north wall of tablinum at east end. Photo courtesy of Buzz Ferebee.

V.1.26, Pompeii. May 2018. Room 8, detail of north wall of tablinum at east end. Photo courtesy of Buzz Ferebee.

 

V.1.26 Pompeii. 1931. Room 8, detail from the north wall.
According to Warscher –
“The holes remain after the paintings have been transferred to the Museum.
The ornaments left in situ deserve attention because they are among the finest of the Third style.
As for the side panels – you can clearly see that they represented curtains.
As far as I know this is the only example of the Third style where curtains are represented.
If it were not for this example so characteristic of the Third style, (just look at the ornaments!), I would have said that the curtains are found only in the Fourth style, but this example prevents me from doing this generalization.
See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXIX. Vol.1. Rome, Swedish Institute
DAIR 31.1748. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv. 
(I buchi rimasti dopo che le pitture sono state trasferite nel Museo. 
Gli ornamenti rimasti in situ meritano attenzione perche sono fra i piu fini del terzo stile. 
Quanto ai pannelli laterali – si vede chiaramente che rappresentavano delle cortine. 
Per quanto io sappia questo era l’unico esempio del terzo stile dove sono rappresentate cortine. 
Se non fosse questo esempio cosi caratteristico del terzo stile, (basta vedere gli ornamenti!), io avrei detto che le cortine si riscontrano solamente nel quarto stile, ma proprio questo esempio mi impedisce di fare questa generalizzazione.)

V.1.26 Pompeii. 1931. Room 8, detail from the north wall.

According to Warscher –

“The holes remain after the paintings have been transferred to the Museum.

The ornaments left in situ deserve attention because they are among the finest of the Third style.

As for the side panels – you can clearly see that they represented curtains.

As far as I know this is the only example of the Third style where curtains are represented.

If it were not for this example so characteristic of the Third style, (just look at the ornaments!), I would have said that the curtains are found only in the Fourth style, but this example prevents me from doing this generalization.

See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXIX. Vol.1. Rome, Swedish Institute

DAIR 31.1748. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

(I buchi rimasti dopo che le pitture sono state trasferite nel Museo.

Gli ornamenti rimasti in situ meritano attenzione perche sono fra i piu fini del terzo stile.

Quanto ai pannelli laterali – si vede chiaramente che rappresentavano delle cortine.

Per quanto io sappia questo era l’unico esempio del terzo stile dove sono rappresentate cortine.

Se non fosse questo esempio cosi caratteristico del terzo stile, (basta vedere gli ornamenti!), io avrei detto che le cortine si riscontrano solamente nel quarto stile, ma proprio questo esempio mi impedisce di fare questa generalizzazione.)

 

V.1.26 Pompeii. May 2010. 
Painting of Iphigenia in Tauris, from the north wall of tablinum. 
Now in Naples Archaeological Museum. Inventory number 111439.

V.1.26 Pompeii. May 2010. Painting of Iphigenia in Tauris, from the north wall of tablinum.

Now in Naples Archaeological Museum. Inventory number 111439.

 

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V.1.26 Pompeii. May 2010. Detail from painting of Iphigenia in Tauris, from the north wall of tablinum.

Now in Naples Archaeological Museum. Inventory number 111439.

 

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V.1.26 Pompeii. May 2010. Detail from painting of Iphigenia in Tauris, from the north wall of tablinum.

Now in Naples Archaeological Museum. Inventory number 111439.

 

V.1.26 Pompeii. May 2010. Detail from painting of Iphigenia in Tauris, from the north wall of  tablinum. Now in Naples Archaeological Museum.  Inventory number 111439.

V.1.26 Pompeii. May 2010. Detail from painting of Iphigenia in Tauris, from the north wall of tablinum.

Now in Naples Archaeological Museum. Inventory number 111439.

 

V.1.26 Pompeii. May 2010. Painting of a Maenad carrying a cupid.
Found in the tablinum, on the right of the Iphigenia painting, that is the east end of north wall.
Now in Naples Archaeological Museum. Inventory number 110591.

V.1.26 Pompeii. May 2010. Painting of a Maenad carrying a cupid.

Found in the tablinum, on the right of the Iphigenia painting, that is the east end of north wall.

Now in Naples Archaeological Museum. Inventory number 110591.

 

V.1.26 Pompeii. Pre-1942. Room 8, looking towards the north wall.
According to Warscher –
“In the central space is the notice that visitors to Pompeii should not give tips to the custodians !
The paintings that were in the side panels have been removed and are now in room LXXVII.”
See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXIX. Vol.1. Rome, Swedish Institute
(Attualmente nel vuoto centrale era l’avviso che i visitatori di Pompei non devono dar la mancia ai custodi!
Dai pannelli laterali sono state rimosse le pitture che ora sono nella sala LXXVII.)

V.1.26 Pompeii. Pre-1942. Room 8, looking towards the north wall.

According to Warscher –

“In the central space is the notice that visitors to Pompeii should not give tips to the custodians !

The paintings that were in the side panels have been removed and are now in room LXXVII.”

See Warscher, T. 1942. Catalogo illustrato degli affreschi del Museo Nazionale di Napoli. Sala LXXIX. Vol.1. Rome, Swedish Institute

(Attualmente nel vuoto centrale era l’avviso che i visitatori di Pompei non devono dar la mancia ai custodi!

Dai pannelli laterali sono state rimosse le pitture che ora sono nella sala LXXVII.)

 

V.1.26 Pompeii. October 2020. Room 8, looking east across tablinum towards step to peristyle garden. Photo courtesy of Klaus Heese.

V.1.26 Pompeii. October 2020. Room 8, looking east across tablinum towards step to peristyle garden. Photo courtesy of Klaus Heese.

 

V.1.26 Pompeii. December 2018. Room 8, looking east towards south wall of tablinum, from atrium. Photo courtesy of Aude Durand.

V.1.26 Pompeii. December 2018. Room 8, looking east towards south wall of tablinum, from atrium. Photo courtesy of Aude Durand.

 

V.1.26 Pompeii. May 2015. Room 8, south wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

V.1.26 Pompeii. May 2015. Room 8, south wall of tablinum, from atrium. Photo courtesy of Buzz Ferebee.

 

V.1.26 Pompeii. October 2020. Room 8, looking towards south wall of tablinum.
Photo courtesy of Klaus Heese.

V.1.26 Pompeii. October 2020.

Room 8, looking towards south wall of tablinum. Photo courtesy of Klaus Heese.

 

V.1.26  Pompeii.  March 2009.  Room 8.  South wall of Tablinum.

V.1.26 Pompeii. March 2009. Room 8, south wall of tablinum.

 

V.1.26 Pompeii. October 2020. Room 8, upper south wall of tablinum. Photo courtesy of Klaus Heese.

V.1.26 Pompeii. October 2020. Room 8, upper south wall of tablinum. Photo courtesy of Klaus Heese.

 

V.1.26 Pompeii. March 2009. Room 8, south wall of tablinum.  East end.

V.1.26 Pompeii. March 2009. Room 8, south wall of tablinum. East end.

 

V.1.26 Pompeii. March 2009. Room 8, detail of wall painting of Satyr and Maenad, at east end of south wall of tablinum.

V.1.26 Pompeii. March 2009. Room 8, detail of wall painting of Satyr and Maenad, at east end of south wall of tablinum.

 

231563 Bestand-D-DAI-ROM-W.0328.jpg
V.1.26 Pompeii. W.328. Room 8, detail of wall painting of a Satyr and Maenad from the east end of the south wall of the tablinum.
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231563

V.1.26 Pompeii. W.328. Room 8, detail of wall painting of a Satyr and Maenad from the east end of the south wall of the tablinum.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26 Pompeii. W.325. Room 8, detail of east end of south wall of tablinum.
Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

V.1.26 Pompeii. W.325. Room 8, detail of east end of south wall of tablinum.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26 Pompeii. 1882. Room 8, painting by A. Sikkard of east end of south wall of tablinum. 
See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Taf. XIII.

V.1.26 Pompeii. 1882. Room 8, painting by A. Sikkard of east end of south wall of tablinum.

See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Taf. XIII.

 

V.1.26 Pompeii. Undated painting by Pierre Gusman. Room 8, detail from east end of south wall of tablinum.
(X. Tablinum de la maison de Jucundus. Troisième style. Les panneaux, ici peints en rouge, sont jaunes dans leurs restes actuels. La couleur rouge a disparu avec le temps (Région V, I. 26).
See Gusman P., 1924. La Décoration Murale de Pompei. Paris : Morancé, pl. X.

V.1.26 Pompeii. Undated painting by Pierre Gusman. Room 8, detail from east end of south wall of tablinum.

(X. Tablinum de la maison de Jucundus. Troisième style. Les panneaux, ici peints en rouge, sont jaunes dans leurs restes actuels. La couleur rouge a disparu avec le temps (Région V, I. 26).

See Gusman P., 1924. La Décoration Murale de Pompei. Paris : Morancé, pl. X.

 

V.1.26 Pompeii. March 2009. Room 8, south wall of tablinum. Central panel.
Sogliano described this as Return of the Corpse of  Hector?,  See Sogliano, A, 1879. Le pitture murale Campane. Item number 579, (p.113)

V.1.26 Pompeii. March 2009. Room 8, south wall of tablinum. Central panel.

Sogliano described this as Return of the Corpse of Hector?

See Sogliano, A, 1879. Le pitture murale Campane. Item number 579, (p.113)

 

231829 Bestand-D-DAI-ROM-W.0329.jpg
VI.1.26 Pompeii. W.329. Detail of two figures watching from portico, from the remains of central wall painting from south wall of tablinum.
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/231829

VI.1.26 Pompeii. W.329. Room 8.

Detail of two figures watching from portico, from the remains of central wall painting from south wall of tablinum.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

230931 Bestand-D-DAI-ROM-W.0323.jpg
V.1.26 Pompeii. W.323. Room 8, detail from the centre of the south wall of the tablinum.
Photo by Tatiana Warscher. With kind permission of DAI Rome, whose copyright it remains. 
See http://arachne.uni-koeln.de/item/marbilderbestand/230931

V.1.26 Pompeii. W.323. Room 8, detail from the centre of the south wall of the tablinum.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

V.1.26 Pompeii. 1882. Room 8, painting by A. Sikkard showing detail from the centre of the south wall of the tablinum.
See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Taf. XIV.

V.1.26 Pompeii. 1882. Room 8, painting by A. Sikkard showing detail from the centre of the south wall of the tablinum.

See Mau, A. 1882. Geschichte der Decorativen Wandmalerei in Pompeji. Berlin: Reimer, Taf. XIV.

 

V.1.26 Pompeii. Undated painting by Pierre Gusman. Room 8, detail from centre of south wall of tablinum.
(XI. Détails de l'un des panneaux de la maison de Jucundus. Troisième style.)
See Gusman P., 1924. La Décoration Murale de Pompei. Paris : Morancé, pl. XI.

V.1.26 Pompeii. Undated painting by Pierre Gusman. Room 8, detail from centre of south wall of tablinum.

(XI. Détails de l'un des panneaux de la maison de Jucundus. Troisième style.)

See Gusman P., 1924. La Décoration Murale de Pompei. Paris : Morancé, pl. XI.

 

 

Part   1        2        3       4       5        6        7        8        9       Plan

 

 

 

 

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Ultimo aggiornamento - Last updated: 06-Dec-2021 22:39