PompeiiinPictures

IX.2.10 Pompeii. House of Chlorus and Caprasia or Casa del Gallo II.

Excavated 1848, 1851 and 1867. (Strada Stabiana 62).

 

IX.2.10 Pompeii. September 2004..  House of Chlorus and Caprasia or Casa del Gallo II.  Entrance.
In March 1848, found painted in red on the pilaster on the left, between IX.2.9 and IX.2.10, were
C(aium)  Calventium
II v(irum)  i(ure)  d(icundo)  Chlorus  rog(at)    [CIL IV 921]

Cn(aeum)  Helvium  Sabinum
[…]  o(ro)  v(os)  f(aciatis)    [CIL IV 922]

See PAH II, 477 s, of 18th March 1848, where the above two CIL’s (921 and 922) are reported as being from the left side of the street.
CIL IV 923 below, is indicated as being found on a pilaster on the right side of the street  (i.e. VII.1.22, opposite this house).
See Pagano, M. and Prisciandaro, R., 2006. Studio sulle provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli.  Naples : Nicola Longobardi.  (p.164)

According to Cooley, CIL IV 923 graffiti was found at IX.II.9-10, and translated as
We ask for Cn. Helvius Sabinus as aedile. Caprasia votes for him.
See Cooley, A and M.G.L.,2004.Pompeii: a sourcebook.

According to Della Corte, on the left of the entrance, between IX.2.9 and IX.2.10, were found the electoral recommendations of the inhabitants:
Chlorus  rog(at)   [CIL IV 921]           Caprasia    [CIL IV 923]
See Della Corte, M., 1965.  Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p.209)

IX.2.10 Pompeii. September 2004.  Entrance.

In March 1848, found painted in red on the pilaster on the left, between IX.2.9 and IX.2.10, were

 

C(aium)  Calventium

II v(irum)  i(ure)  d(icundo)  Chlorus  rog(at)    [CIL IV 921]

 

Cn(aeum)  Helvium  Sabinum

[…]  o(ro)  v(os)  f(aciatis)    [CIL IV 922]

 

See PAH II, 477 s, of 18th March 1848, where the above two CIL’s (921 and 922) are reported as being from the left side of the street.

CIL IV 923 below, is indicated as being found on a pilaster on the right side of the street  (i.e. VII.1.22, opposite this house).

See Pagano, M. and Prisciandaro, R., 2006. Studio sulle provenienze degli oggetti rinvenuti negli scavi borbonici del regno di Napoli. Naples : Nicola Longobardi.  (p.164)

 

According to Cooley, CIL IV 923 graffiti was found at IX.II.9-10, and translated as

We ask for Cn. Helvius Sabinus as aedile. Caprasia votes for him.

See Cooley, A. and M.G.L., 2004. Pompeii: A Sourcebook. London: Routledge. (p.122, F51)

 

According to Della Corte, on the left of the entrance, between IX.2.9 and IX.2.10, were found the electoral recommendations of the inhabitants:

Chlorus  rog(at)   [CIL IV 921]           Caprasia    [CIL IV 923]

See Della Corte, M., 1965. Case ed Abitanti di Pompei. Napoli: Fausto Fiorentino. (p.209)

 

IX.2.10 Pompeii. September 2005. Looking east along entrance corridor.  On the walls, the high zoccolo would have been black and subdivided into panels by narrow red bands. The upper zone of the walls would have been painted white.

IX.2.10 Pompeii. September 2005. Looking east along entrance corridor. 

On the walls, the high zoccolo would have been black and subdivided into panels by narrow red bands.

The upper zone of the walls would have been painted white.

 

IX.2.10 Pompeii. December 2007. Entrance corridor looking west to entrance. On the right would be the doorway to a triclinium, not photographed. According to Sogliano, the paintings found in this room, the triclinium on west side of peristyle, would be -  
Psyche with plate in left hand. (no. 388 but nearly vanished). Psyche with cornucopia or similar, (no.389.), p.67.
Female figure, on a yellow background, with dark red mantle, in her right hand a plate and her left hand holding up a garland? (no.834), p.160.
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.67 and 160)
According to Helbig, Apollo (H216), Endymion (H959), and Narcissus (H1360) were found here. See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel.

IX.2.10 Pompeii. December 2007. Entrance corridor looking west to entrance.

 

IX.2.10 Pompeii. 1966. Looking south-west from peristyle area, towards entrance corridor.
Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
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On the north side of the corridor, centre right in photo, would be the doorway to a triclinium, not photographed. According to Sogliano, the paintings found in this room, the triclinium on west side of peristyle, would be -  
Psyche with plate in left hand. (no. 388 but nearly vanished). Psyche with cornucopia or similar, (no.389.), p.67.
Female figure, on a yellow background, with dark red mantle, in her right hand a plate and her left hand holding up a garland? (no.834), p.160.
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.67 and 160)
According to Helbig, Apollo (H216), Endymion (H959), and Narcissus (H1360) were found here.
See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel.

IX.2.10 Pompeii. 1966. Looking south-west from peristyle area, towards entrance corridor. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J66f0468

On the north side of the corridor, centre right in photo, would be the doorway to a triclinium, not photographed.

According to Sogliano, the paintings found in this room, the triclinium on west side of peristyle, would be - 

Psyche with plate in left hand. (no. 388 but nearly vanished). Psyche with cornucopia or similar, (no.389.), p.67.

Female figure, on a yellow background, with dark red mantle, in her right hand a plate and her left hand holding up a garland? (no.834), p.160.

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.67 and 160)

According to Helbig, Apollo (H216), Endymion (H959), and Narcissus (H1360) were found here.

See Helbig, W., 1868. Wandgemälde der vom Vesuv verschütteten Städte Campaniens. Leipzig: Breitkopf und Härtel.

 

IX.2.10 Pompeii. 1851 painting by G. Abbate of triclinium wall.
DAIR 83.222. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv. 
See http://arachne.uni-koeln.de/item/marbilder/5343122

IX.2.10 Pompeii. 1851 painting by G. Abbate of triclinium wall.

DAIR 83.222. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.  

 

IX.2.10 Pompeii. Triclinium. 1851 copy by G. Abbate of painting of Endymion and Selene.
Now in Naples Archaeological Museum. Inventory number ADS 976. 
Original painting: Now in Naples Archaeological Museum. Inventory number 9246.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

IX.2.10 Pompeii. Triclinium. 1851 copy by G. Abbate of painting of Endymion and Selene.

Now in Naples Archaeological Museum. Inventory number ADS 976.

Original painting: Now in Naples Archaeological Museum. Inventory number 9246.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

IX.2.10 Pompeii. Triclinium. Painting of Apollo and Daphne.
Now in Naples Archaeological Museum.  Inventory number 9533.

IX.2.10 Pompeii. Triclinium. Painting of Apollo and Daphne.

Now in Naples Archaeological Museum. Inventory number 9533.

 

IX.2.10 Pompeii. Triclinium. 1851 copy by G. Abbate of painting of Apollo and Daphne.
Now in Naples Archaeological Museum. Inventory number ADS 978.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

IX.2.10 Pompeii. Triclinium. 1851 copy by G. Abbate of painting of Apollo and Daphne.

Now in Naples Archaeological Museum. Inventory number ADS 978.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

IX.2.10 Pompeii. Triclinium. 1851 drawing by G. Abbate of painting of Narcissus and nymph.
Painting: Now in Naples Archaeological Museum. Inventory number 9386.
Drawing: Now in Naples Archaeological Museum. Inventory number ADS 977.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

IX.2.10 Pompeii. Triclinium. 1851 drawing by G. Abbate of painting of Narcissus and nymph.

Painting: Now in Naples Archaeological Museum. Inventory number 9386.

Drawing: Now in Naples Archaeological Museum. Inventory number ADS 977.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

IX.2.10 Pompeii. December 2007.  Looking east along the walkway on the south side of the peristyle, towards the vaulted room or tablinum. On the right is the window and doorway of a cubiculum, with red zoccolo and panelled middle zone to the walls, but now all faded. 
On the left is the window of a triclinium, described by Fiorelli as an oecus.
See Fiorelli, G, (1875),  Descrizione di Pompei, (p.380)

IX.2.10 Pompeii. December 2007. 

Looking east along the walkway on the south side of the peristyle, towards the vaulted room or tablinum.

On the right is the window and doorway of a cubiculum, with red zoccolo and panelled middle zone to the walls, but now all faded.

On the left is the window of a triclinium, described by Fiorelli as an oecus.

See Fiorelli, G, (1875), Descrizione di Pompei, (p.380)

 

IX.2.10 Pompeii. December 2007. Tablinum, room with vaulted ceiling. According to Fiorelli, on the south side of this room would have been a doorway to a large rustic room with a separate entrance at IX.2.14. This might have been used as a shop or storeroom.
See Fiorelli, G, (1875),  Descrizione di Pompei, (p.380)

IX.2.10 Pompeii. December 2007. Tablinum, room with vaulted ceiling.

According to Fiorelli, on the south side of this room would have been a doorway to a large rustic room with a separate entrance at IX.2.14.

This might have been used as a shop or storeroom.

See Fiorelli, G, (1875), Descrizione di Pompei, (p.380).

.

231418 Bestand-D-DAI-ROM-W.1487.jpg
IX.2.10 Pompeii. W.1487. Tablinum, east wall with painted decoration.
Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv. See http://arachne.uni-koeln.de/item/marbilderbestand/231418

IX.2.10 Pompeii. W.1487. Tablinum, east wall with painted decoration.

Photo by Tatiana Warscher. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

IX.2.10 Pompeii. 1880 painting of tablinum, east wall.
DAIR 83.221. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv. 
See http://arachne.uni-koeln.de/item/marbilder/5343121

IX.2.10 Pompeii. 1880 painting of tablinum, east wall.

DAIR 83.221. Photo © Deutsches Archäologisches Institut, Abteilung Rom, Arkiv.

 

IX.2.10. Pompeii. December 2007. Tablinum, with vaulted ceiling.
For description of the painted ceiling in this tablinum,  
See Pompejanische Kopien aus Danemark, SAP No. 24, by M. Staub Gierow, (p. 231, cat. 277)

IX.2.10. Pompeii. December 2007. Tablinum, with vaulted ceiling. For description of the painted ceiling in this tablinum, 

See Pompejanische Kopien aus Danemark, SAP No. 24, by M. Staub Gierow, (p. 231, cat. 277)

 

IX.2.10. Pompeii. 1959. Tablinum, with vaulted painted ceiling. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J59f0369

IX.2.10. Pompeii. 1959. Tablinum, with vaulted painted ceiling. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J59f0369

 

IX.2.10. Pompeii. 1959. Tablinum, painted decoration from top of east wall. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
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IX.2.10. Pompeii. 1959. Tablinum, painted decoration from top of east wall. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J59f0367

 

IX.2.10 Pompeii. December 2007. Wall painting of cockerel pecking at a bunch of grapes, from tablinum.

IX.2.10 Pompeii. December 2007. Wall painting of cockerel pecking at a bunch of grapes, from tablinum.

 

IX.2.10 Pompeii. 1957. Detail from painting in vaulted area. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
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IX.2.10 Pompeii. 1957. Detail from painting in vaulted area. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J57f0336

 

IX.2.10 Pompeii. December 2007. Wall painting of a wheatsheaf and pomegranate from tablinum.

IX.2.10 Pompeii. December 2007. Wall painting of a wheatsheaf and pomegranate, from tablinum.

 

IX.2.10 Pompeii. 1957. Detail of painting in vaulted area. Photo by Stanley A. Jashemski.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.
J57f0339

IX.2.10 Pompeii. 1957. Detail of painting in vaulted area. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J57f0339

 

IX.2.10 Pompeii. December 2007. Painted arched ceiling from south side of tablinum.

IX.2.10 Pompeii. December 2007. Painted arched ceiling from south side of tablinum.

 

IX.2.10 Pompeii. December 2007. Painted arched ceiling from north side of tablinum.

IX.2.10 Pompeii. December 2007. Painted arched ceiling from north side of tablinum.

 

IX.2.10. Pompeii. 1878 copy by Discanno of vaulted ceiling in tablinum.
See Presuhn E., 1878. Les Decorations Murales de Pompei, Weigel, Leipzig, pl. XIII.

IX.2.10. Pompeii. 1878 copy by Discanno of vaulted ceiling in tablinum.

See Presuhn E., 1878. Les Decorations Murales de Pompei, Weigel, Leipzig, pl. XIII.

 

IX.2.10 Pompeii. December 2007. Rooms next to the north wall to the east of the peristyle.Small room or cupboard on left, and corridor to narrow room, kitchen and latrine on right.

IX.2.10 Pompeii. December 2007. Rooms next to the north wall to the east of the peristyle.

Small room or cupboard on left, and corridor to narrow room, kitchen and latrine on right.

 

IX.2.10 Pompeii. December 2007. Narrow room on the east side of kitchen.

IX.2.10 Pompeii. December 2007. Narrow room on the east side of kitchen.

 

IX.2.10 Pompeii. December 2007. Kitchen on north-east side of the peristyle. Stone bench on east side.

IX.2.10 Pompeii. December 2007. Kitchen on north-east side of the peristyle. Stone bench on east side.

 

IX.2.10 Pompeii. December 2007. Latrine? on west side of kitchen.

IX.2.10 Pompeii. December 2007. Latrine? on west side of kitchen.

 

IX.2.10 Pompeii. December 2007. South side of peristyle.

IX.2.10 Pompeii. December 2007. Looking towards south side of peristyle.

 

IX.2.10 Pompeii. December 2007. Doorway to cubiculum on south side of peristyle.
According to PPP, in this cubiculum the zoccolo was painted black with panels, and the middle zone of the walls would have been painted red. On the south wall, the central panel was azure blue with the painting of Galatea and Polyphemus (30 x 30).
See Bragantini, de Vos, Badoni, 1986. Pitture e Pavimenti di Pompei, Parte 3. Rome: ICCD. (p.410)
According to Fiorelli, remaining painted in this room were a group of flying Cupids and Psyches, and a figure of a naked Galatea, seen from her shoulders, embracing and joining to Polyphemus, sitting on a rock.
See Fiorelli, G, (1875). Descrizione di Pompei, (p.380).
According to Sogliano, the paintings found here would have been – Eros & Psyche (no.397) and Flying Eros & Psyche (no.398) both on a red background in the cubiculum under the south portico of garden. Galatea, (but nearly destroyed) (no.475).
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.68 and p.79)

Also according to Sogliano, from the windowed cubiculum under the south portico of the garden, the following painting was seen – Female crowned figure, with a plate in her left hand, from which it seemed she was taking something with her right hand, (0.29 high red monochrome on yellow background) (no.825, p.159).  (Note: this may or may not be from this particular room).
See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.159)

For description of the upper zone of the wall in this cubiculum, 
See Pompejanische Kopien aus Danemark, SAP No. 24, by M.Staub Gierow. (p.231, cat 276)

IX.2.10 Pompeii. December 2007. Doorway to cubiculum on south side of peristyle.

According to PPP, in this cubiculum the zoccolo was painted black with panels, and the middle zone of the walls would have been painted red.

On the south wall, the central panel was azure blue with the painting of Galatea and Polyphemus (30 x 30).

See Bragantini, de Vos, Badoni, 1986. Pitture e Pavimenti di Pompei, Parte 3. Rome: ICCD. (p.410)

According to Fiorelli, remaining painted in this room were a group of flying Cupids and Psyches, and a figure of a naked Galatea, seen from her shoulders, embracing and joining to Polyphemus, sitting on a rock.

See Fiorelli, G, (1875). Descrizione di Pompei, (p.380).

According to Sogliano, the paintings found here would have been –

Eros & Psyche (no.397) and Flying Eros & Psyche (no.398) both on a red background in the cubiculum under the south portico of garden.

Galatea, (but nearly destroyed) (no.475).

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.68 and p.79)

 

Also according to Sogliano, from the windowed cubiculum under the south portico of the garden, the following painting was seen –

Female crowned figure, with a plate in her left hand, from which it seemed she was taking something with her right hand, (0.29 high red monochrome on yellow background) (no.825, p.159).  (Note: this may or may not be from this particular room).

See Sogliano, A., 1879. Le pitture murali campane scoverte negli anni 1867-79. Napoli: Giannini. (p.159)

 

For description of the upper zone of the wall in this cubiculum,

See Pompejanische Kopien aus Danemark, SAP No. 24, by M.Staub Gierow. (p.231, cat 276)

 

IX.2.10 Pompeii. Old undated photo of south wall of cubiculum on south side of peristyle.
The central panel was azure blue with the painting of Galatea and Polyphemus.
A naked Galatea, is seen from her shoulders, embracing and joining to Polyphemus, who is sitting on a rock.

IX.2.10 Pompeii. Old undated photo of south wall of cubiculum on south side of peristyle.

The central panel was azure blue with the painting of Galatea and Polyphemus.

 

IX.2.10 Pompeii. 1886. Watercolour copy of south wall of cubiculum.
The blue panel in the centre has the painting of Polyphemus and Galatea.
See D’Amelio P., 1886. Dipinti Murali di Pompei.  Naples: Richter. pl. 1.

IX.2.10 Pompeii. 1886. Watercolour copy of south wall of cubiculum.

The blue panel in the centre has the painting of Polyphemus and Galatea.

See D’Amelio P., 1886. Dipinti Murali di Pompei. Naples: Richter. pl. 1.

 

IX.2.10 Pompeii. December 2007. 
Remains of painted central panel of south wall in cubiculum on south side of peristyle.
According to Bragantini, the wall painting in the central panel on the south wall was of Galatea and Polyphemus.
See Bragantini, de Vos, Badoni, 1986. Pitture e Pavimenti di Pompei, Parte 3. Rome: ICCD. (p.410, cubicolo ‘g’)

IX.2.10 Pompeii. December 2007.

Remains of painted central panel of south wall in cubiculum on south side of peristyle.

According to Bragantini, the wall painting in the central panel on the south wall was of Galatea and Polyphemus.

See Bragantini, de Vos, Badoni, 1986. Pitture e Pavimenti di Pompei, Parte 3. Rome: ICCD. (p.410, cubicolo ‘g’)

 

IX.2.10 Pompeii. 1886. Detail from watercolour by D’Amelio, of painting of Polyphemus and Galatea.
Galatea is seen from behind, half naked from her shoulders, embracing and joining to Polyphemus, who is sitting on a rock.
See D’Amelio P., 1886. Dipinti Murali di Pompei.  Naples: Richter. pl. 1.

IX.2.10 Pompeii. 1886. Detail from watercolour by D’Amelio, of painting of Polyphemus and Galatea.

Galatea is seen from behind, half naked from her shoulders, embracing and joining to Polyphemus, who is sitting on a rock.

See D’Amelio P., 1886. Dipinti Murali di Pompei. Naples: Richter. pl. 1.

 

IX.2.10 Pompeii. South wall. 1873 drawing by G. Discanno of painting of Polyphemus and Galatea.
Now in Naples Archaeological Museum. Inventory number ADS 980.
Photo © ICCD. http://www.catalogo.beniculturali.it
Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

IX.2.10 Pompeii. South wall. 1873 drawing by G. Discanno of painting of Polyphemus and Galatea.

Now in Naples Archaeological Museum. Inventory number ADS 980.

Photo © ICCD. http://www.catalogo.beniculturali.it

Utilizzabili alle condizioni della licenza Attribuzione - Non commerciale - Condividi allo stesso modo 2.5 Italia (CC BY-NC-SA 2.5 IT)

 

IX.2.10 Pompeii. December 2007. Remains of painted wall panels, and stucco cornice in cubiculum on south side of peristyle.

IX.2.10 Pompeii. December 2007. Remains of painted wall panels, and stucco cornice in south-east corner of cubiculum.

 

IX.2.10 Pompeii. December 2007. Looking south to stone staircase to upper floor.

IX.2.10 Pompeii. December 2007. Looking south to stone staircase to upper floor.